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Photographing Dogs Inside


experiencedfun
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Sorry! Lenses that have a wide aperture - so they let in more light. They are typically heavier, have wider front elements (the front part) and are more expensive than standard kit or zoom lenses. The closer to 1 the number, the faster the glass is. Don't faint from sticker shock :confused:

They allow you to shoot in darker conditions. The tradeoff is a shallower depth of field though.

Tamron and Tokina and Sigma make very good versions of fast glass that are less expensive than Nikon's offerings so you might want to check them out, too.

IS is image stabilization ... I can't remember what Nikon calls it (VR maybe?). I'm not very well versed in Nikon offerings so can't point you to specifics.

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hhmmm lens or divorce............which would I choose.

I know its a hobby and to take great shots you need great equipment...maybe I will just ask them to take the dogs outside for pics. :happydance2: at least until my next life when I marry a 95yo millionaire

Edited by experiencedfun
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Hangar can be bad news :happydance2:

The wisest/easiest/cheapest option is do the shots outdoors.

Ive even had people willing to stack dogs out in the rain because the lighting is better outdoors than in :happydance2:

Edited by chezzyr
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Can you use a flash?

Adding an external flash and bits might be the ticket if you have some control of the area you will be shooting in.

Takes practice to not get that total "flashed" look, but it is definitely another option if it's allowed.

Outside is great if you can!

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  • 2 weeks later...

I don't post much but thought I would just jump in on this thread and share my experiences...

I recently (Nov last year) photographed the Great Dane speciality shows down in Melbourne (not sure what the grounds are called? the ones near the showgrounds) indooors and having shot only outdoor daytime shows before I was a little apprehensive as I knew light would be an issue.

The very best decision that I made was to include a monopod in my equipment list. I took flash gear (Speedlite 430EX and 580EX) but only really used them for BIS and award photos with the judge. I was shooting with a Sigma 100-300 F4 lens 99% of the time. I just love this lens, cheaper and with a bit more range than the Canon 70-200's, and not too far off quality-wise.

Sigma APO 100-300mm f4 EX IF HSM Reviews - pretty sure the lens retails for around $1700

I photographed pretty much the entire 2 shows (open and champ) which ran from about 3pm to about 9.30pm, didn't get many movement photos as the shutter speeds were just too low and panning is a bit difficult with a couple of kilos of body and lens attached to a monopod. Did get a couple of lucky ones but not many! I was however really happy with the way the stacked shots of the dogs in the ring turned out, considering the conditions.

Another thing that helps with shooting indoors, is shoot on manual. One definite advantage of shooting indoors and especially at night is that the light remains fairly consistent - no clouds going over the lighting and messing with your exposures! Means you can choose your settings and stick with them, knowing they will be the same for every shot which also helps a lot with editing them later.

Also I think shooting at the lenses maximum aperture isn't a problem, as at that focal length and distance it should be just enough to blur out distracting details in the background somewhat and still have the dog in sharp focus.

Here's some example pics at different times showing the settings used. Keep in mind that the sun was moving around and coming through the skylights at various times in different spots in the ring so until the sun actually sets, the exposures don't really show a clear progression.

7.jpg

3.30pm, ISO 800, 180mm, F4.5, 1/250 sec (handheld)

72.jpg

4.12pm, ISO 800, 137mm, F4, 1/400 sec (handheld)

151.jpg

5.15pm, ISO 800, 117mm, F4, 1/640 sec (handheld)

197.jpg

5.46pm, ISO 800, 300mm, F4, 1/320 sec (handheld)

27.jpg

7.00pm, ISO 1250, 150mm, F4, 1/100 sec (monopod)

55.jpg

7.28pm, ISO 1600, 137mm, F4, 1/80 sec (monopod)

A couple of very lucky panning shots:

95.jpg

8.05pm, ISO 1250, 100mm, F4, 1/80 sec (monopod)

98.jpg

8.06pm, ISO 1250, 100mm, F4, 1/80 sec (monopod)

136.jpg

8.37pm, ISO 1250, 150mm, F4, 1/80 sec (monopod)

The settings stayed virtually unchanged for the rest of the night, using that lens and the monopod. I later changed to a 24-70mm lens and flash for the BIS and awards photos.

Hope this helps!

ETA: Links to the rest of the photos if anyone is interested: http://www.charlottereevesevents.com.au/ - the last 2 shows and then some outdoor show galleries for reference.

Edited by Kaya & Luna
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